PISAN CANTOS
LXXXI
~ Ezra Pound
What thou lovest well remains,
the rest is dross
What thou lov'st well shall not be reft from thee
What thou lov'st well is thy true heritage
Whose world, or mine or theirs
or is it of none?
First came the seen, then thus the palpable
Elysium, though it were in the halls of hell,
What thou lovest well is thy true heritage
What thou lov'st well shall not be reft from thee
Beauty has a tarnished dress,
And a patchwork cloak of cloth
Dipped deep in mournfulness,
Striped like a moth.
Wet grass where it trails
Dyes it green along the hem;
She has seven silver veils
With cracked bells on them.
She is tired of all these--
Grey gauze, translucent lawn;
The broad cloak of Herakles.
Is tangled flame and fawn.
Water and light are wearing thin:
She has drawn above her head
The warm enormous lion skin
Rough red and gold.
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OCTOBER
~ William Cullen Bryant
Ay, thou art welcome, heaven's delicious breath!
When woods begin to wear the crimson leaf,
And suns grow meek, and the meek suns grow brief
And the year smiles as it draws near its death.
Wind of the sunny south! oh, still delay
In the gay woods and in the golden air,
Like to a good old age released from care,
Journeying, in long serenity, away.
In such a bright, late quiet, would that I
Might wear out life like thee, 'mid bowers and brooks
And dearer yet, the sunshine of kind looks,
And music of kind voices ever nigh;
And when my last sand twinkled in the glass,
Pass silently from men, as thou dost pass.
ODE TO THE WEST WIND
~ Percy Bysshe Shelley
I
O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh hear!
ON LOOKING UP BY CHANCE AT THE CONSTELLATIONS
~ Robert Frost
You'll wait a long, long time for anything much
To happen in heaven beyond the floats of cloud
And the Northern Lights that run like tingling nerves.
The sun and moon get crossed, but they never touch,
Nor strike out fire from each other nor crash out loud.
The planets seem to interfere in their curves -
But nothing ever happens, no harm is done.
We may as well go patiently on with our life,
And look elsewhere than to stars and moon and sun
For the shocks and changes we need to keep us sane.
It is true the longest drout will end in rain,
The longest peace in China will end in strife.
Still it wouldn't reward the watcher to stay awake
In hopes of seeing the calm of heaven break
On his particular time and personal sight.
That calm seems certainly safe to last to-night.
ON THE NATURE OF LOVE
(From CHAITALI)
~ Rabindranath Tagore
(Translated from Bengali by Ketaki Kushari Dyson)
The night is black and the forest has no end;
a million people thread it in a million ways.
We have trysts to keep in the darkness, but where
or with whom- of that we are unaware.
But we have this faith--that a lifetime's bliss
will appear any minute, with a smile upon its lips.
Scents, touches, sounds, snatches of songs
brush us, pass us, give us delightful shocks.
Then peradventure there's a flash of lightning:
whomever I see that instant I fall in love with.
I call that person and cry: `This life is blest!
For your sake such miles have I traversed!'
All those others who come close and moved off
in the darkness--I don't know if they exist or not.
(Submitted by Heidi Liedberg)
Owls -- they whinny down the night;
Bats go zigzag by.
Ambushed in shadow beyond sight
The outlaws lie.
Old gods, tamed to silence, there
In the wet woods they lurk,
Greedy of human stuff to snare
In nets of murk.
Look up, else your eye will drown
In a moving sea of black;
Between the tree-tops, upside down,
Goes the sky-track.
Look up, else your feet will stray
Towards that dim ambuscade
Where spider-like they trap their prey
In webs of shade.
For though creeds whirl away in dust,
Faith dies and men forget,
These aged gods of power and lust
Cling to life yet--
Old gods almost dead, malign,
Starving for unpaid dues;
Incense and fire, salt, blood and wine
And a drumming muse,
Banished to woods and a sickly moon,
Shrunk to mere bogey things,
Who spoke with thunder once at noon
To prostrate kings
With thunder grom an open sky
To warrior, virgin, priest
Bowing in fear with a dazzled eye
Toward the dread East--
Proud gods, humbled, sunk so low,
Living with ghosts and ghouls,
And ghosts of ghosts and last year's snow
And dead toadstools.
PHASES OF THE MOON
~ Elinor Wylie
Once upon a time I heard
That the flying moon was a Phoenix bird;
Thus she sails through windy skies,
Thus in the willow's arms she lies;
Turn to the East or turn to the West
In many trees she makes her nest.
When she's but a pearly thread
Look among birch leaves overhead;
When she dies in yellow smoke
Look in a thunder-smitten oak;
But in May when the moon is full,
Bright as water and white as wool,
Look for her where she loves to be,
Asleep in a high magnolia tree.
A PINCH OF SALT
~ Robert Graves
When a dream is born in you
With a sudden clamorous pain,
When you know the dream is true
And lovely, with no flaw nor stain,
O then, be careful, or with sudden clutch
You'll hurt the delicate thing you prize so much.
Dreams are like a bird that mocks,
Flirting the feathers of his tail.
When you seize at the salt-box
Over the hedge you'll see him sail.
Old birds are neither caught with salt nor chaff:
They watch you from the apple bough and laugh.
Poet, never chase the dream.
Laugh yourself and turn away.
Mask your hunger, let it seem
Small matter if he come or stay;
But when he nestles in your hand at last,
Close up your fingers tight and hold him fast.
A POET OF ONE MOOD
~ Alice Meynell
A poet of one mood in all my lays,
Ranging all life to sing one only love,
Like a west wind across the world I move,
Sweeping my harp of floods mine own wild ways.
The countries change, but not the west-wind days
Which are my songs. My soft skies shine above,
And on all seas the colours of a dove,
And on all fields a flash of silver greys.
I made the whole world answer to my art
And sweet monotonous meanings. In your ears
I change not ever, bearing, for my part,
One thought that is the treasure of my years--
A small cloud full of rain upon my heart
And in mine arms, clapsed, like a child in tears.
THE QUIET SNOW
~ Raymond Knister
The quiet snow
Will splotch
Each in the row of cedars
With a fine
And patient hand;
Numb the harshness,
Tangle of that swamp.
It does not say, The sun
Does these things another way.
Even on hats of walkers,
The air of noise
And street-car ledges
It does not know
There should be hurry.
Out through the fields and the woods
And over the walls I have wended;
I have climbed the hills of view
And looked at the world, and descended;
I have come by the highway home,
And lo, it is ended.
The leaves are all dead on the ground,
Save those that the oak is keeping
To ravel them one by one
And let them go scraping and creeping
Out over the crusted snow,
When others are sleeping.
And the dead leaves lie huddled and still,
No longer blown hither and thither;
The last lone aster is gone;
The flowers of the witch-hazel wither;
The heart is still aching to seek,
But the feet question 'Whither?'
Ah, when to the heart of man
Was it ever less than a treason
To go with the drift of things,
To yield with a grace to reason,
And bow and accept the end
Of a love or a season?
(Suggested by Katherine Remmel)
RING OUT SOLSTICE BELLS
~ Ian Anderson
Now is the solstice
of the year,
winter is the glad song that you hear.
Seven maids move in seven time.
Have the lads up ready in a line.
Ring out these bells.
Ring out, ring solstice bells.
Ring solstice bells.
Join together beneath the mistletoe.
By the holy oak whereon it grows.
Seven druids dance in seven time.
Sing the song the bells call, loudly chiming.
Ring out these bells.
Ring out, ring solstice bells.
Ring solstice bells.
Praise be to the distant sister sun,
joyful as the silver planets run.
Seven maids move in seven time.
Sing the song the bells call, loudly chiming.
Ring out those bells.
Ring out, ring solstice bells.
Ring solstice bells.
Ring on, ring out.
Ring on, ring out.
ROMANCE
~ Robert Louis Stevenson
I will make you brooches and toys for your delight
Of bird-song at morning and star-shine at night.
I will make a palace fit for you and me,
Of green days in forests and blue days at sea.
I will make my kitchen, and you shall keep your room,
Where white flows the river and bright blows the broom,
And you shall wash your linen and keep your body white
In rainfall at morning and dewfall at night.
And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!
That only I remember, that only you admire,
Of the broad road that stretches and the roadside fire.
(Submitted by Fran Peters)
I too, dislike it: there are things that are important beyond all this
fiddle.
Reading it, however, with a perfect contempt for
it, one discovers that there is in
it after all, a place for the genuine.
Hands that can grasp, eyes
that can dilate, hair that can rise
if it must, these things
are important not because a
high sounding interpretation can be put upon them but because they are
useful; when they become so derivative as to become
unintelligible,
the same thing may be said for all of us, that we
do not admire what
we cannot understand: the bat,
holding on upside down or
in quest of something to
eat, elephants pushing, a wild horse taking a roll, a tireless wolf
under
a tree, the immovable critic twitching his skin like a horse
that feels a flea, the base
ball fan, the statistician --
nor is it valid
to discriminate against
"business documents and
school-books": all these phenomena are important. One must make a distinction
however: when dragged into prominence by half poets, the result
is not poetry,
nor till the poets among us can be
"literalists of
the imagination" -- above
insolence and triviality and can
present
for inspection, imaginary gardens with real toads in them, shall we
have
it. In the meantime, if you demand on one hand,
the raw material of poetry in
all its rawness and
that which is on the other hand
genuine, then you are interested in
poetry.
(Submitted by Katherine Remmel
THE OTHERS
~ Seamus O'Sullivan
From our hidden places
By a secret path,
We come in the moonlight
To the side of the green rath.
There the night through
We take our pleasure,
Dancing to such a measure
As earth never knew.
To song and dance
And lilt without a name,
So sweetly breathed
'Twould put a bird to shame.
And many a young maiden
Is there, of mortal birth,
Her young eyes laden
With dreams of earth.
And many a youth entranced
Moves slowly in the wildered round,
His brave lost feet enchanted,
With the rhythms of faery sound.
Music so forest wild
And piercing sweet would bring
Silence on blackbirds singing
Their best in the ear of spring.
And now they pause in their dancing,
And look with troubled eyes,
Earth straying children
With sudden memory wise.
They pause, and their eyes in the moonlight
With fairy wisdom cold,
Grow dim and a thought goes fluttering
In the hearts no longer old.
And then the dream forsakes them,
And sighing, they turn anew,
As the whispering music takes them,
To the dance of the elfin crew.
O many a thrush and a blackbird
Would fall to the dewy ground,
And pine away in silence
For envy of such a sound.
So the night through
In our sad pleasure,
We dance to many a measure,
That earth never knew.